{"id":"825cc2ee-3a78-4afe-8dbe-6d96c7198b31","title":"All the Single Saddles (Put a Boot On It)","artist":"Alex (TikTok Country Session)","album":"Country-fied","year":2025,"genre":"Country/Comedy/Sassy Honky-Tonk/Pop Country","duration":"3:48","lyrics":"[Verse 1]\nAll the single saddles (yee-haw!)\nAll the single saddles (yee-haw!)\nIf you liked it then you shoulda put a boot on it\nDon’t be mad he took the truck, girl, you kept the trailer, own it!\n\n[Chorus]\n‘Cause if you liked it then you shoulda put a boot on it\nThree years of cryin’, girl, time to move on it\nHe don’t deserve you in them jeans that fit\nWoo-ooh-ooh, put a boot on it!\n\n[Verse 2]\nHe said goodbye, packed his bags in the night\nLeft you with nothin' but a broken porch light\nBut girl, you're tougher than a two-dollar steak\nDust off your boots, it's a brand new day to make\n\n[Chorus]\n‘Cause if you liked it then you shoulda put a boot on it\nThree years of cryin’, girl, time to move on it\nHe don’t deserve you in them jeans that fit\nWoo-ooh-ooh, put a boot on it!\n\n[Breakdown]\nWhoop-whoop! Stomp left! Stomp right! Now spin your ex’s taillights outta sight!\nYee-haw! Get on the floor!\n\n[Bridge]\nHe thought he could tame you, a wild mustang,\nBut you're breakin' free, hear that wedding ring clang!\nGrab your best gal pals, let the good times roll\nThis ain't a sad song, it's takin' back control!\n\n[Chorus]\n‘Cause if you liked it then you shoulda put a boot on it\nThree years of cryin’, girl, time to move on it\nHe don’t deserve you in them jeans that fit\nWoo-ooh-ooh, put a boot on it!\n\n[Outro]\nAll the single saddles (yee-haw!)\nAll the single saddles (yee-haw!)\nPut a boot on it! Yeah!\n","notes":"Tempo should be lively and energetic, around 128 BPM. Instrumentation should include acoustic guitar, electric guitar with a slight twang, bass guitar, drums (with a prominent kick and snare for the stomp), fiddle, and possibly banjo or steel guitar. Vocals should be sassy and confident, with backing vocals adding harmonies during the choruses and emphasizing the 'yee-haw!' ad-libs. Think big, open chords with a driving rhythm. The 'stomp' in the breakdown should be heavily emphasized by the drums and bass. Consider a key change up a half-step for the final chorus to add extra energy. During the bridge, the fiddle can take a short, playful solo. Imagine Shania Twain covering \"Single Ladies\" with a healthy dose of Southern charm and attitude.","description":"A hilarious country-fried anthem for newly single ladies, channeling Beyoncé's confidence with a twang. Think divorce-court chic meets sassy honky-tonk, perfect for line dancing and celebrating independence. A high-energy banger about moving on and reclaiming your cowgirl spirit after a breakup.","image_url":"https://v3b.fal.media/files/b/penguin/CLh5L0WjxYnDnDV-Gd30I.jpg","audio_url":"","created_at":"2025-11-27T20:43:07.875038+00:00"}