{"id":"f0e62005-2178-4953-a4ea-027e585b21fc","title":"Beer Made Me Do It (And I’d Do It Again)","artist":"Alex Wilson","album":null,"year":2025,"genre":"Modern Country/Honky-Tonk/Country Rock","duration":"3:18","lyrics":"Two-for-one Tuesday, neon burnin’ bright\nJukebox hummin’ somethin’ wrong and right\nBuddy hollered “Double,” I said, “Make it three”\nNext thing I knew, the dancefloor swallowed me\n\nThere was a blonde with a dare in her eye\nSaid “Bet you won’t kiss me,” I said, “Let’s try”\nShe smelled like peaches and cheap perfume\nSuddenly this dive bar felt like a honeymoon\n\nBeer made me do it, and I’d do it again\nRipped my shirt on the mic stand, danced like the wind\nKissed a stranger, spilled my sin\nYeah, beer made me do it… and I’d do it again\n\nBartender’s laughin’—guess I sang too loud\nSaid I tipped her with a scratch-off, called her proud\nLost my boots but I kept my pride\nAnd a number on a napkin with a lipstick smile beside\n\nSome regrets taste like rye on your tongue\nBut this one? Nah, that was just fun\n\nBeer made me do it, and I’d do it again\nRipped my shirt on the mic stand, danced like the wind\nKissed a stranger, sinned with a grin\nYeah, beer made me do it… and I’d do it again\n\n(Bridge)\nThe bouncer shook his head and said, \"You're cut off, son!\"\nGuess my two-steppin' days were done.\nBut the night was young, and I felt so free,\nBlame it on the beer, don't blame it on me.\n\nSome folks blame the devil, some blame the moon\nI just raise a can and toast my ruin\n\nBeer made me do it, and I’d do it again\nTattooed her name with a bar pen\nMade some memories I won’t defend\nBut beer made me do it… and I’d do it again\n\nYeah, beer made me do it… and I’d do it again","notes":"Modern honky-tonk style at 126 BPM in A major. The song should have a strong, driving Telecaster-driven rhythm section with an emphasis on the bass and kick drum. Incorporate an upright piano playing honky-tonk riffs and fills, along with a fiddle providing melodic accents and solos. Layer in gang vocals on the chorus for a stadium-sized feel. Key elements include a walking bass line, liberal use of major pentatonic scales, and slightly distorted electric guitars. The bridge offers an opportunity for a brief instrumental break featuring the fiddle and piano trading licks. Designed for live energy and sing-back choruses. Ideal for barroom crowds or festival sets. Vocals should be delivered with a slightly tongue-in-cheek attitude, emphasizing the humor of the situation.","description":"A rowdy, good-time anthem about the unpredictable and often hilarious consequences of letting loose with a few too many beers. Blending modern country sensibilities with classic honky-tonk swagger, this song celebrates the freedom of a Friday night and the memories, however hazy, that are made in the process. Think early '90s Alan Jackson meets a modern Jason Aldean vibe.","image_url":"https://v3.fal.media/files/tiger/GXcJ7elC5xA55wbNbVU-Y.jpeg","audio_url":"","created_at":"2025-09-30T11:49:53.504+00:00"}